Another year is upon us and 2023 is already packed with exciting and noteworthy new and retuning shows that we can't wait to see. The Last of Us Monday 16th January Sky Atlantic - It's quite possible that one of the first BIG dramas might be one of the year's best....
Best of 2022: Our Picks
As we say goodbye to 2022, we thought we'd pay tribute to the best shows of the year by publishing all of our team's Top 10 shows of the year that was then combined for our ultimate list of the year. Have a read and tell us who you agree with. Amy Beth @chandelierbing...
The Best of 2022: A year stacked with great television.
When it came time to compile our Best of the Year piece two things struck me. The first was that wasn't one BIG show that resonated with people in the same way Normal People and I May Destroy You did in 2020 or It's a Sin and Mare of Easttown last year. The second was...
The BBC at 100: 100 of its best shows.
This year the BBC turns 100. Fundamental to Britain and funded by licence fee payers, the BBC has garnered a worldwide reputation for quality. For this special post highlighting the highlights of the corporation's massive contribution to television, I've decided to...
Happy Valley: How Sally Wainwright crafted the truly outstanding British drama.
Shockingly, I only watched Sally Wainwright’s Happy Valley for the first time earlier this year. As incredibly late to the party I was, I’m glad I amended this, as the BBC crime drama encapsulates everything I love about television. As it returns to our screens later...
Autumn 2022: The shows we’re really excited to see.
After a summer of sport, TV is getting its act together this autumn. Yes, the World Cup will disrupt things in November but the streamers have plenty to keep us non-footie fans occupied. Here are the shows we're looking forward to over the next few months. Minx...
How streamers are leaving UK subscribers out of the conversations
I'm not the biggest fan of Netflix. It's a confused brand that offers so much to every possible viewer, that it's impossible to tell quite who they're catering for. One thing they do that I'll always be grateful for is whenever a new drama, documentary, comedy or...
Why The Handmaid’s Tale feels more vital than ever.
In the spring of 2017, I had the rare luxury of a night to myself. I was channel hopping when I came across what looked like the climax of an action sequence on Channel 4. An aerial shot of a car skidding through a snowy landscape, sirens blaring close behind, was...
Clocking Off offered a slice of British life that has never dated.
When Paul Abbott's Clocking Off debuted in January of 2000 the TV landscape looked entirely different. Abbott, who has since gone to success with his semi-autobiographical comedy-drama Shameless and his police drama No Offence, had been working in television for a...
Breaking Bad: The art of telling one epic story from beginning to end.
A pair of trousers fly through the air, landing on a dusty road which an RV speeds through with panicked abandon. So begins a series that was pitched by its creator as ‘Mr Chips becomes Scarface'. Television series can naturally morph and change as they...
Justified: Remembering one of TV’s best kept secrets.
“You see that guy in the hat?” “The tall one?” “The one in the hat!” Does anyone actually listen to their friends’ recommendations anymore? It’s a counter-intuitive phenomenon, but the more someone goes on about the latest must-see thing on TV, the less likely I am to...
Celebrating The Wire 20 Years On.
It was the show’s mastery of character that made it great. 20 years ago this month, HBO aired the first episode of The Wire. Nine months earlier, 9/11 had dramatically snatched federal law enforcement’s attention and budget away from the war on drugs and towards the...
Deadwood: Looking back at HBO’s true masterpiece.
“Pain or damage don’t end the world. Or despair, or f***ing beatings. The world ends when you're dead. Until then, you’ve got more punishment in store. Stand it like a man… and give some back” This could well be the mission statement for Deadwood, David Milch’s...
The Sopranos: The show that paved the way for all that was to come.
Like everyone else, including James Gandolfini’s own son, Michael, in preparation for his role in the prequel movie The Many Saints of Newark (as cited during his interview with Simon Mayo for Kermode and Mayo’s Film Review) I used lockdown to start watching The...
The rise and rise of Apple TV+: Why the streamer is a must.
Co-written by site Editor Luke Knowles and Site Contributor Amy Beth. *Contains spoilers for season one of Severance* “You know, my mother was an atheist. She used to say that there was good news and bad news about hell. The good news is hell is just a product of the...
Spooks at 20: A look at the show that took risks few shows would.
You can’t beat a catchy slogan. ‘MI5, Not 9-to-5’ exclaimed the trailers and advertising promotion for a new BBC spy drama that promised to bring slick intelligent thrills to prime time British television. Brilliantly produced teaser trailers dotted the BBC for weeks...
Prophecy, parody, and Chris Morris: Brass Eye at 25
When people talk about the satire of even the recent past, the most common response is that today, it wouldn’t even pass as satire. Since The Thick of It aired its first season, some of the jokes in those early episodes actually became government policies, and...
Celebrating The Office: How this British work of comedy genius launched a new template for other great comedies.
This piece was co-authored by CustardTV Editor Luke Knowles and site contributor Eamon Hennedy It's difficult to say where 'cringe comedy' came from. The idea that you're laughing at the joke but also at the awfulness of the situation and the agony of those it...
Who Should Win at this year’s BAFTA TV Awards?
The Nominations for this year's BAFTA TV Awards are out. https://www.thecustardtv.com/its-a-sin-stath-lets-flats-and-help-lead-bafta-nominations/ Normally, I'm miffed by obvious snubs but the nominees represent the best of 2021. I'd be happy with anyone winning the...
Looking back at The West Wing and how it shaped my view of how the world could work.
Before the events of the Russia/Ukraine war, I had written a piece about how The West Wing demonstrates the importance of language. About how in a world that provides open lines of communication to talk to anyone – even anonymously – that words are important to the...
How The Royle Family changed comedy forever and in the process gave us the most authentic British family ever captured on screen.
Inclusivity is a good thing. A lot is made of the importance of people seeing themselves represented on screen. As a disabled person, I'm seeing more disabled people on television and whilst that's a positive thing I don't think it's entirely the only way you can see...
Fast paced dialogue wins legions of fans. Celebrating the brilliance of Amy Sherman-Palladino
When The Marvelous Mrs Maisel won Emmys for Outstanding Comedy Series, as well as for writing and direction and its creator Amy Sherman-Palladino took to the stage in 2018, it didn’t come as a major surprise for several reasons. The series itself has frequently proven...
Why did Pam & Tommy fail to generate the conversation it deserved?
When I wrote my first review of Pam & Tommy the rest of the world had yet to see it. I thoroughly enjoyed it. Seeing past its more outlandish and grotesque moments (hello Tommy Lee's penis, how are you this fine evening?) to the human story at the centre. I had...
How will Killing Eve’s final season kiss Eve and Villanelle’s relationship goodbye?” to tie it directly into the new season.
As Killing Eve careers towards its end, with the arrival of the 4th and final season, fans of the show are inevitably questioning how the thriller will leave our star-crossed protagonists Eve and Villanelle. Since MI5 agent Eve (Sandra Oh) first crossed paths with...